The Foundation is pleased to offer our grantees the opportunity to share information about their grant on our website.  We hope it will offer the public increased visibility for your work.

Terms and Conditions. This form is intended for those who have received a Puffin Foundation grant.  By filling out this form, you will be requesting Puffin to post information about your granted project on our web site.  Please fill out the form carefully.  It includes the option to provide an email address for the public to contact you, as well as providing an email address for the Foundation to use internally that would not be made public.  Note that if you include personally identifiable information in your public content, it can be used and viewed by others.   We are not responsible for the information you choose to include in public content.  The Foundation reserves the right to edit any submissions for size and appropriate content.  If you wish to give photo, audio or video credit for submissions, such credit should be included in your text under the description of your project.

Share/Save/Bookmark

Shmuel Polonski CD of 1931 Soviet Yiddish Songbook Far yugnt/For Youth

Eric A. Gordon & Yale Strom/The Polonski Project
Year Grant Awarded 2013

Email > ericarthur@aol.com
State > CA Zip Code > 90034
Website >

Samuel Polonski, b. 1902 in Ukraine; age 17-20 served in the Red Army, by his early 20s was leading musical ensembles and choruses. Among his works are numerous compositions based on Jewish themes. He died at 52 in 1955, two years after Stalin. In 1931, there were Yiddish schools, theatres, choruses, the Jewish republic of Birobidzhan, and these 19 songs were published for use in the Yiddish school system and by Yiddish choruses. At that time in Russian, Soviet, and world history, this 29-year-old composer had reason to be hopeful. His songs for solo voice, small ensembles and chorus show a musicianship and modernity, even of experimentalism, a vocal and technical range that fall well beyond the capacities of a children’s chorus. Some of these are more properly characterized as art songs. The lyrics are by the most respected names in the Soviet Yiddish pantheon: Itsik Fefer, Perets Markish, Izi Kharik, and others. Subject matter includes pastoral scenes, village life, collective farming, a woman tractor driver, the death of Lenin, the Red Army, machine rhythms of the factory, and seamstresses.

Performances of the complete set of songs in cantata form by Arbeter Ring/Workmen’s Circle in L.A. and Tucson drew an enthusiastic response, given that only one song in this collection, “A krenetse,” ever became widely known in the West. Yiddish culture enjoyed a spotty, tragic career in the USSR, but we hear these songs as a record of a fleeting, uplifting moment in time, and as a legacy for us to discover and cherish. The CD will render the whole set of 19 songs faithfully, creatively, and professionally, with “name” vocal talent and fresh instrumental arrangements created by world-renowned Jewish musician and ethnographer Yale Strom. Strom and Eric Gordon, Director Emeritus of SoCal Arbeter Ring, are the producers. The CD will be released in 2014.