Burning In The Sun
26-year-old charmer Daniel Dembélé is equal parts West African and European, and looking to make his mark on the world. Seizing the moment at a crossroads in his life, Daniel decides to return to his homeland in Mali and start a local business building solar panels – the first of its kind in the sun drenched nation. Daniel’s goal is to electrify the households of rural communities, 99% of which live without power. BURNING IN THE SUN tells the story of Daniel’s journey growing the budding idea into a viable company, and of the business’ impact on Daniel’s first customers in the tiny village of Banko. Taking controversial stances on climate change, poverty, and African self-sufficiency, the film explores what it means to grow up as a man, and what it takes to prosper as a nation.
Now more than ever before, people around the world have come to see green-collar jobs as an absolute necessity for survival in our rapidly changing economies and environments. Daniel’s daring, charisma and intelligence remind us of the sort of leadership required around the globe that will encourage this level of transformative change. It is important to us for the film to showcase him as an African leader, not only of his country, but as a global trendsetter. So not only do viewers come away with a greater understanding of the kind of development that makes the most sense for Africa, but a sense of profound inspiration that they can take the action they have seen and apply it in their own communities.
BURNING IN THE SUN is often labeled as a film that is ‘African’ or ‘Environmental’, but our goal in telling this particular story is to desegregate these two topics, and to encourage disparate conversations to join together in dialogue, and start a new discussion on the world stage. Strikingly beautiful, surprisingly emotional, and a revolution of ideas, the film provides a newschool portrait of a Green Africa capable of inspiring worldwide emulation.